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October 6, 2006 Paranoid Jack Globalsounds.ca | Fifth Sun | Thrust UK | Stickman | ParanoidJack.com Ken Lazee
Manny Berenguel, aka Paranoid Jack, first started Djing in 1994. At the time, he was heavily influenced by the New York / Jersey Garage sound and began to play small underground parties in Toronto's warehouse scene with veterans DJ Cube and Alvaro G. His roots were firmly placed in soul, disco and funk which became an important part in shaping his production philosophy later on. 1996-97, the heyday of Basement Jaxx, Daft Punk and the Mongoloids, brought about another evolution in Jack's sound as elements of techno fused with funky filtered house which became the fundamental basis for everything he's done since. After getting his Audio Engineering degree from Trebas Institute in 1998 he began work on his own production material with an extremely small setup that consisted of an old beatup Mac, a K2000 rackmount sampler and a pair of homemade studio monitors. Amazingly, it was out of this humble system that his first record emerged, "Herbz the Word". He gave the demo on to longtime friend MC Flipside (who at the age of 23, was already a respected veteran of Toronto's rave scene), who promptly passed it on to Stickman Records. They signed it and released it in January of 1999, and the rest is history. It went on to become somewhat of a cultclassic, immediately gaining support from heavyweights like DJ Dan, Terry Mullan and Halo, and remains a highly sought after tune to this day. Jack went on to produce several singles and remixes for the Stickman camp over the next few years, with each one going in a slightly different direction yet maintaining the banging and funky element that became the signature Paranoid Jack sound. This culminated in the release of his first artist album in 2001, "The Last of the Funky Cyborgs". The album spawned three singles (“U”, “Slavedriver” and “Smart Hockey”) which shot up the charts and put Paranoid Jack on the map. The massively respected Yoshitoshi crew picked all three as their #5 tune on their prestigious Top 101 Tunes of 2001 claiming "these were all so good, we couldn't pick just one!" "Slavedriver" crossed over into the progressive scene with support from Deep Dish, Danny Howells, Quivver, Sasha, John Digweed, Seb Fontaine, Max Graham and just about everybody else. It reached #1 on both the UK's Massive Records Chart and the US Balance Promotion Charts, and was licensed to several highly esteemed CD compilations, including Transport and Ministry. The success of this single led to remixes by local favourite Addy, and the UK's highly respected techhouse guru Jamie Anderson, which attained similar praise. His 2002 release "Dirty Fingernailz" on Four01 Recordings became a worldwide favourite as well, appearing on Steve Lawler's "Lights Out" compilation for Global Underground. 2003 brought another underground smash titled “The Big O” which solidified Paranoid Jack as an established name in the techhouse scene. This led to a slew of remixes on primetime labels like Lee Coombs’ Thrust Recordings, Kingsize Records, Meat Katie’s Lot 49 imprint, Chris Fortier’s Fade Records, and Release Grooves. Which brings us to 2004, where Paranoid Jack has really come into his own. “Bring Back the Jack” (Thrust Recordings), “No Rest for the Wicked” (Release Grooves), “Acid Fixx” (Slush Recordings) and breaks collaboration “Environmental Product” (Promo Records) with Robb G, “The World Must Change” (Fifth Sun) have all had massive success with a wide range of todays best DJs. Jack felt it was time to take things to the next level by opening up his own label, Fifth Sun Recordings, with local veteran and good friend Tim Patrick. So far the label has been received very well, with all three releases so far hitting Number 1 on the exclusive Balance Pool Chart successively. All of this attention has led to 5 years of solid DJ appearances all over Canada, the United States, Japan and Europe, where Jack is proving that he can rock the decks as well. His silky smooth mixing style and genrebending approach to programming have made him a favourite everywhere he goes. Elements of deep house, tech house, progressive, techno and some breaks are woven together with a distinct percussive and funky feel throughout. As a member of the prestigious Balance Record Pool (membership includes 40 of the top DJs and record shops in North America), Jack has access to a wide array of the most upfront tunes as well as a constant flow of unreleased tracks from his friends around the world. In a few short years, Paranoid Jack has become an established name in the underground scene. He's been licensed to CD's by people as varied as Nigel Richards, Roger Sanchez, George Morel, Eddie Amador, and Steve Lawler. His records are consistently found in the boxes of the world's top DJ's, and (most gratifying to him) his career is being followed by some of the people he respects most. Nowhere was this more evident than when Circulation (one his favourite production groups) lost their records recently, and an email request came in for a copy of everything Jack’s ever done. Paranoid Jack is definitely one to look out for in the future, and we have only seen the beginning of what promises to be a long and bright career.
If you take a handful of soul, a dash of disco, and a heavy sprinkling of funk you get one of Washington DC's finest House DJs: Ken Lazee. A dedicated supporter of the dance community Ken can be found as much behind the scenes as behind the decks, helping our underground network of music lovers do what they want most: dance. The mid-90s Ken found what would grow to become his passion. After wandering into a club and bumping into a room full of people sweating and gyrating to the pulse of House music, he knew he had found what he had been looking for. Amazed by Dj Dan's technical skills, dumbfounded by Feelgood's ability to control the floor, and enthralled by Scott Henry's legendary sunrise sets, he had found something he immediately loved. After many years of practice and even more of record collecting he made his mark on DC. With a love of music that shines through his sets, and skills that would make the most fickle train spotter smile, Lazee has earned his respect and is here to stay. Ken has thrown numerous events with Evolve, and recently has joined Broken Soul — one of the top house/breakbeat crews in the district. With a sound that has had years of refinement, a record collection second to none, and a gift of groove one can only get at birth, Ken and the dance floor have become synonymous all over the East Coast.
Christauff, a Washington-area progressive house DJ, has participated in the local DC/Baltimore scene for over 13 years. His intro to EDM started with going to raves in high school & college, and attending parties at Buzz, Fever & Traxx. Orbital, William Orbit, The Orb, and 808 State albums got him into electronic music. Living in England in the mid 90's exposed him to world DJ culture and got him started making mixes using tracks grabbed off of peer-to-peer networks, until he bought tables and started spinning several years ago. His first residency was at De Lounge, a gay dance club in Wheaton, MD.
2rip began his job of party promoter in 1998 when hosting parties under the 40th Street Bridge in Pittsburgh, PA. He eventually rose to status of Pittsburgh's #1 up & coming talent, determined by the 2002 lolli.org user poll which included 300 dj's spanning from Cleveland to Philly and votes from over 500 users. Since then he has played at venues across the country including the famous "Icehouse" in Arizona as well as widely known clubs Metropolis's Spundae, Nation, Glow @ FUR, and Groove @ Laga. Currently 2rip pushes a wide variety of sounds out of a combination of different genres, making him one of DC's most versatile dj's. To simply describe his style you may say it is funky and acid-laden with an incorporation of quick mixing maneuvers and fader tricks.
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